Всеобщая история искусств

Список источников > Нехудожественная литература > Искусство. Культура > Искусствоведение. История искусств > Всеобщая история искусств

Hybrid identities in Johannesburg

Автор: Suzanne Erasmus
Год: 2012
Издание: LAP Lambert Academic Publishing
Страниц: 124
ISBN: 9783659176333
My practical and theoretical research is informed by Johannesburg, the city in which I live. My thesis is positioned within postcolonial academic and theorist Homi K. Bhabha’s theory of a “Third Space” and within South African academic, Colin Richards' theory of a graft that operates within an enculturated semiosphere. In this instance, I identify spaces in which a graft operates in the form of two examples: garments designed by Strangelove and Stoned Cherrie and selected suburban boundary walls in Parktown West, Westcliff, Houghton, Melville and Emmarentia. These two examples are used to argue whether a graft ‘takes’ to ‘open out’ a space for cultural difference or whether it does not ‘take’, thus closing off space. I understand my examples as hybrid forms and manifestations of identities in a process of re-definition in the context of postcolonial Johannesburg. My practical work explores manifestations of hybrid identities in my lived context, Johannesburg.
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